II. Hard Edge 1968 — 1978
In the 1970s, Matsutani experiments in printmaking and painting with clearly defined shapes, lines, and vivid colors on flat surfaces. These works span an immense scale from large to small.
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In the 1970s, Matsutani experiments in printmaking and painting with clearly defined shapes, lines, and vivid colors on flat surfaces. These works span an immense scale from large to small.
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Vinyl adhesive, acrylic on canvas
116.5 x 91.1 cm
1969
Photo by Genevieve Hanson
Vinyl adhesive, oil house paint (enamel), canvas mounted on plywood
200 x 130.5 cm
1968
Photo by Stefan Altenburger
Vinyl adhesive, acrylic, oil on canvas and plywood
160 x 130 cm
1968
Photo by Christopher Burke Studio
Vinyl adhesive, acrylic on canvas
116.5 x 91.1 cm
1969
Photo by Genevieve Hanson
Vinyl adhesive, oil house paint (enamel), canvas mounted on plywood
200 x 130.5 cm
1968
Photo by Stefan Altenburger
Vinyl adhesive, acrylic, oil on canvas and plywood
160 x 130 cm
1968
Photo by Christopher Burke Studio
Matsutani's first canvases in Paris are related to the then contemporary Hard-Edge movement. From small to large formats, they combine flattened organic forms and rectangles in the vibrant colors used in printmaking. In 1967, Matsutani joins Stanley William Hayter's Atelier 17 printing studio, where he meets his future wife, American artist Kate Van Houten.
Atelier Matsutani
atelier@takesadamatsutani.com
All photos courtesy of the artist and Hauser & Wirth
Site by Cutwork Studio
© 2021
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