I. Gutai 1960 — 1967
Matsutani covers canvases with impressive and sensual organic volumes made of inflated vinyl adhesive. In 1963, he is invited to be a member of Gutai.
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Matsutani covers canvases with impressive and sensual organic volumes made of inflated vinyl adhesive. In 1963, he is invited to be a member of Gutai.
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Vinyl adhesive, oil, acrylic, canvas mounted on plywood
162.3 x 129.9 cm
1966
Courtesy of the Miyagi Museum of Art, Japan
Vinyl adhesive, oil, acrylic, canvas mounted on plywood
183 x 137 cm
1965
Courtesy of the Pompidou Center
Vinyl adhesive, oil house paint, acrylic house paint on plexiglass
200 x 100 cm
1964
Photo by Alex Delfanne
Vinyl adhesive, acrylic, oil, canvas mounted on plywood
89 x 116 cm
1964
Photo by Stefan Altenburger
Vinyl adhesive, oil, acrylic, canvas mounted on plywood
162.3 x 129.9 cm
1966
Courtesy of the Miyagi Museum of Art, Japan
Vinyl adhesive, oil, acrylic, canvas mounted on plywood
183 x 137 cm
1965
Courtesy of the Pompidou Center
Vinyl adhesive, oil house paint, acrylic house paint on plexiglass
200 x 100 cm
1964
Photo by Alex Delfanne
Vinyl adhesive, acrylic, oil, canvas mounted on plywood
89 x 116 cm
1964
Photo by Stefan Altenburger
After much experimentation, vinyl adhesive becomes Matsutani’s favorite material. The air filled vinyl shapes are originally inspired by observing matter through a microscope. In 1966, Matsutani wins the first prize of the Mainichi Newspaper Franco-Japanese competition, resulting in a grant to study in France.
Matsutani, A Matrix, solo exhibition, Hausere & Wirth, Savile Row, London, UK, 2013, photo by Alex Delfanne
Atelier Matsutani
atelier@takesadamatsutani.com
All photos courtesy of the artist and Hauser & Wirth
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© 2021
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